A Manifesto of Sorts
What does it means to build something that matters in an industry that's constantly trying to commodify the “uncommodifiable”. Our little label, straddling Liverpool and Paris, an improbable cultural bridge, wasn't born from a business plan. It emerged the way the best things do - through necessity, organically, messily, through late-night conversations and shared obsessions, through the particular magic that happens when a small group of people who give a shit about the same things find each other.
The philosophy underpinning our label wasn't something anybody articulated with PowerPoint slides or mission statements. It grew like a vine, wrapping itself around the scaffolding of our collective experiences. We constructed this reality together - the artist, founders, early believers - through a thousand small decisions that seemed insignificant at the time but eventually crystallised into something with its own gravitational pull.
The values that guide us bubbled up from basements and practice rooms and after-hours conversations. Every person who's joined our weird little family has altered our DNA in some subtle way. The label exists as a kind of ongoing conversation between everyone involved—a conversation that keeps evolving as new voices join in.
We’re allergic to corporate-speak about "inclusivity" and "collaboration," but there's something undeniably powerful about creating a space where everyone feels entitled to speak up, to disagree, to push back, to fuck off, to do something else or nothing at all. The best ideas hardly come from the person with the fanciest title. They more often come from the person who's been quietly observing from the corner, who finally feels comfortable enough to say, "What if we tried this instead?"
We've quietly built a place where nobody pretends to know everything. Every opinion based on actual knowledge and experience deserves airtime, regardless of who's offering it. This isn't some kumbaya circle of validation - it's just us recognising that good ideas can come from anywhere and that certainty will compromise growth.
Our artists aren't content to just make the music and let someone else handle the rest. They're in the trenches with us, weighing in on artwork, marketing ideas, communication style. Sometimes this makes things messier and slower, but it also means that when we put something into the world, it's a reflection of the artist's vision, not a watered-down compromise. The traditional model treats artists like children who need to be managed. We treat them like the adults they are - complicated, opinionated, sometimes difficult, but ultimately the reason any of this exists at all.
We're obsessive about details in a way that probably seems ridiculous to outsiders. The weight of the vinyl, the texture of the album cover, the kerning in the liner notes - these things matter. Not because we're precious aesthetes (though we are), but because these details are expressions of care. They're ways of saying to listeners: we respect your attention, we value your time, we believe this music deserves to be presented thoughtfully.
The wider “music industry” is constantly shape-shifting, and labels that cling to outdated models are doomed to irrelevance. We've built flexibility into our make-up, change is not a threat but an opportunity to evolve and get ahead within our own space. We encourage our artists to experiment, to follow their instincts even when they lead in unexpected directions. Sometimes these experiments fail spectacularly, but even failures generate insights that push us all forward.
Community isn't just a buzzword - it's the place that sustains everything we do. We're deeply embedded in our roots and we see our role as not just releasing music but nurturing the conditions that allow our creative community to thrive. This takes many forms: organising shows, mentoring artists, creating spaces where people connect and express themselves.
We distrust manufactured narratives and marketing-speak. The stories our artists tell through their music are their own - messy, contradictory, deeply personal. We don't try to sand off the rough edges or force their work into neat commercial packages. The resulting authenticity creates a different kind of connection with listeners - one based on recognition and resonance rather than calculated appeal.
The music industry can be brutal, and we've had our share of setbacks. Music that didn't find their audience, tours that lost money, partnerships that dissolved. But we’re resilient, failures are treated as quiet learning points rather than defining moments. We pick each other up, dust each other off and keep moving forward, a little wiser for the experience.
What we've built isn't perfect. It's human-scale, which means it's flawed and constantly evolving. But it's all ours - a collective creation that reflects the values, quirks and aspirations of everyone who's contributed to it. The resulting label we called “Violette” has a personality as distinct as a fingerprint, a culture that couldn't be replicated even if someone wanted to, and a sense of shared purpose that makes even the hardest days worthwhile.